So if you’re gating at 35dB, then only signals of 35dB or higher will show in the recording. The noise gate eliminates all sound that occurs beyond its listed threshold. The EQ raises or lowers parts of the frequency of the signal. The ratio controls how much any signal over the threshold is attenuated (4:1 would attenuate the signal by 25%, for example). Signal levels above the listed threshold will cause the compressor to react and reduce the DR. It lowers the loudest parts to raise the entire track up. The compressor reduces the dynamic range of the audio to help vocals sit better in the mix. I took a page from this guide, for GarageBand. Your three best friends are the compressor, the EQ, and the noise gate. Drag in the noiseless WAVs to independent tracks. Open Logic Pro X and create a multi-track template. Export the (now less noisy) WAV for each. Open Audacity, open each track and perform noise removal. 2: Initially cleaning up the audioĭownload the tracks from everyone. There’s a reason the conversation is taking place, but let everyone explore a bit before edging them forward in the structure. You can have long gaps of nothing if you’re still thinking, and your production will clean those thoughts up and string them together.Ī gentle structure is the best structure for a conversation. You can remove these in post, but it’s more work for you later – just know that removing gaps of silence is the easiest part of your job. It’s also very easy to use filler words to clarify that you’re still thinking, like “um” or “uh”. If you know what your thesis is, state it first, then follow it up with your points. Most people vulture around their point: they circle their thoughts before, finally, hitting the thesis. What I learned to do as I recorded more podcasts was to be a brief and precise speaker. I mean keeping a listener engaged, staying in touch with your participants, etc. There really isn’t enough said about speaking on-air in a way that’s really enjoyable to hear. Audacity is also used at the very start and end of the process, as is the “secret sauce”: The Levelator. It seems to be an uncommon choice, but it works really well for the job. My postprocessing DAW software of choice is Logic Pro X. If you’re recording multiple people in an entirely local setting, I highly recommend picking up Loopback, too, which allows you to combine the USB microphones into a single interface with four (or six, if there’s three people) channels. They’re fairly inexpensive and sound phenomenal. My equipment is very spartan: a set of Audio Technica ATR-2100 USB Microphones. ![]() Once the podcast is done recording, a WAV is uploaded and you have lossless, synchronised audio for every participant. It also is where you have your “virtual call” itself, so it’s all in-browser for everyone. Zencastr is an incredible service that shaves off most of the logistical work: it records local audio on both sides of the conversation, and allows guests to just talk and not worry about the logistics of recording. ![]() I use Zencastr for most of my sessions with online participants. I figured I’d outline my process from start to finish. Matilde park / Introduction to Podcast Production matilde park
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